As July continues on, we too continue to explore blaxploitation films as our theme. Blaxploitation is an interesting thing. To me, it’s one of the only two film genres that most embodies the American spirit. That is not hyperbole-I truly and honestly believe so. Blaxploitation is a concept that arose from a period of both social and civil unrest and change into product with its own unique culture and identity. In doing so, it created a precedent for all future items similar to itself in idea. Sound anything like the origin of a country that you or I may know?
Shaft (the original 1971 version, not that Samuel L. Jackson remake dreck) is, was, and will forever remain the definitive blaxploitation film, utterly and without question. Not only that, but it’s also considered by many to be the very first blaxploitation movie. Shaft and other blaxploitation films represented black action heroes fighting white crime in a cynical urban environment. The films symbolized black-power politics in an era when portrayals of blacks regularly consisted of servants and sidekicks. Shaft broke the mold, laying the groundwork for modern actors and filmmakers like Samuel L. Jackson and Spike Lee. But is it any good? Not everything ages well, after all. Pop on in and find out.

We find ourselves here again, at the end of five consecutive work days in a row. For many, this is a cause for celebration. The Guys have no
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