The writer responsible for the biggest British hits of the last ten years – Four Weddings And A Funeral, Notting Hill, Bridget Jones’s Diary – directs Love Actually, a vibrant romantic comedy, blending ambition with good sense by filling the profuse parts of his multi-storied script with excellent, experienced actors, and rising young stars.
And boobs. I should definitely point that out. Continue reading MasterChugs Theater: ‘Love Actually’