Has it crossed your mind that the morality play is a dead genre? Perhaps you’ve wondered what’s become of sharply-written satire?
Alexander Payne’s Election works as both.
First, though it’s over a decade old, its packaging feels modern, almost trendy. Not screechy and obnoxious like handfuls of other teen films currently being produced or peddled. Election‘s charm comes largely from its narrative technique: the audience gets the stories directly from the voice-overs of major characters. Hence we witness various perspectives that combine to create quite a jumbled unity. Payne, the director and co-writer, gives us digestible units that quicken pace and intensify plot. The result? We come away licking our lips, our appetites teased by the delicious ironies. Continue reading MasterChugs Theater: ‘Election’