When you’re as handsome as Englishman Jude Law is, typecasting is just an occupational hazard. Some filmmaker somewhere always pictures you as “perfect” to play some right-proper gent or another.
On the flip side, when you are as talented as Law is, you can forge your own opportunities and hop off the typecasting train. That’s exactly what he does in writer-director Richard Shepard’s dark English comedy Dom Hemingway, a giddy blend of style and attitude that plays like a cross between a Guy Ritchie and Wes Anderson film.
Unfortunately, it’s also a little lightweight, just like Guy Ritchie and Wes Anderson films can be. Continue reading MasterChugs Theater: ‘Dom Hemingway’