Ridley Scott is probably best known as a director who delivers big epic action movies (Alien and Prometheus, to name a couple), dipping into the sweeping vistas of outer space and history with stunning visuals and gritty excitement. But with Matchstick Men, he reminded everyone that he’s just as good delivering something a little bit more low key.
It is: (1) the story of a crisis in the life of a man crippled by neurotic obsessions; (2) the story of two con men who happen onto a big score, and (3) the story of a man who meets the teenage daughter he never knew he had, and finds himself trying to care for her. The hero of all three stories is Roy (Nicolas Cage), who suffers from obsessive-compulsive disorder, agoraphobia, panic attacks, you name it. His con-man partner is Frank (Sam Rockwell). His daughter is Angela (Alison Lohman), and Roy is so fearful that when he decides to contact her, he persuades his shrink to make the phone call.
I wish that you had seen the movie so we could discuss what a sublime job it does of doing full justice to all three of these stories, which add up to more, or perhaps less, than the sum of their parts. Continue reading MasterChugs Theater: ‘Matchstick Men’