MasterChugs Theater Extra: ‘Death Proof’
Though it probably won’t surprise anyone to learn that Quentin Tarantino has, with Death Proof, once again outdone his Weinstein-indentured buddy, what should shock people is that, in conflating the slasher and car chase genres, Tarantino has slapped together his most formally audacious work since Pulp Fiction. After coloring outside the lines to impetuously enjoyable … Continue reading MasterChugs Theater Extra: ‘Death Proof’