A new highly scientific study proves that men routinely try to sleep with women who are more attractive than they are and won’t let the fact that they are pathetic overweight schlubs stand in their way.
The best part?
All the “data”, all of the information, all of the conclusive evidence for this study was taken from Hot Or Not. No, really. This sounds like that time when I wrote a term paper on the conclusive evidence linking nuns and buckets of chum with the anthropic principle.
For the time being, we’re going to take a look at the works of Apatow. The reason being? Pineapple Express has recently come out. It’s pretty good. You should go see it; however, we’ll get to it in good time. In the meantime, we’re going to examine the works of Judd Apatow in order to see how he has progressed as a director, writer and producer, though not necessarily in exact order. The first movie up? 2006’s Knocked Up.
Judd Apatow gets guys. For years men in movies have been cookie cutter presentations of ferocious might or sensitive driveling. In his movies, Apatow brings a different breed of man: one who falls between the stereotypes of the sensitive man and the ubermensch and paints a complete picture of just how complex men can be.
Nowhere is this more true than in Apatow’s Knocked Up. The 40-Year Old Virgin director tackles the worst nightmare for the single man–having a one night stand with a girl and then finding out that you’ve knocked her up. It’s a simple enough concept for a story, but thanks to Apatow’s delightfully complex characters and hilariously irreverent approach to the subject matter, Knocked Up runs the chance of being one of the most brilliant comedies of the decade. Click the button to see why. Continue reading MasterChugs Theater: ‘Knocked Up’
