In 2008, NASA beamed a recording of The Beatles’ “Across the Universe” into space. Four years, a severely cut budget and no response later, they’ve taken a new tack: assaulting Mars with Will.i.am. And make no mistake: a sonic bombardment of auto-tuned Black-Eyed Pea is just that, an assault, perhaps meant to drive lifeforms out of hiding so they’ll try to turn the stereo off. Or even just pound on the ceilings of their subterranean lairs with a broom handle. Any reaction that gives them away will do, really.

So, how did we arrive at this point, where America’s space agency has mohawks and Mars rovers with twitter accounts? With the end of manned space missions, NASA has embraced a new goal: cultural relevancy.
You can’t blame them. When 46 percent — nearly half — of Americans believe in strictly creationism and a sitting member of the House Committee on Science, Space and Technology doesn’t know how rape works (and yet has an opinion about it), it doesn’t take a rocket scientist to realize that nobody cares about space exploration unless we find God a la Star Trek V.
Good for you, NASA. You cracked the code to making the news cycles and, maybe one day, more money. But, where do you go from here? I’m glad you asked … Continue reading Take it from Snee: NASA’s newest mission for relevancy

A 168-mile-long channel near Mars’ Ascraeus Mons volcano wasn’t created by water as scientists have previously thought. New high-resolution images suggest that
You know how some people claim to be able to taste the difference between different food-colored M&Ms? Or how the green ones make you look like a sad pervert?
The final entry in MasterChugs March Movie Mort Month is upon us. It’s loud. It’s painful. It’s got really big guns and possibly bigger muscles. It totally fits the theme for this year, which as some of you might have been able to tell, is “cinematic video-game adaptation bombs,” and boy howdy, is this movie ever a real life equivalent of Vampire Rain. That’s right, I’m talking about the one, the only,