The question that goes throughout Oldboy, the latest Spike Lee joint, is “Why?” Why has somebody taken the trouble to kidnap Joe Doucett, an alcoholic advertising executive, and lock him up in a fake hotel room for 20 years? Why has Joe been framed for a murder and then, after making a mental journey to madness and back, set free?
The very same question could be asked why Lee remade a movie that, not even a decade old, is easily regarded as an international movie classic. Why?
I mean, if you’re gonna do something someone’s already done, at least do it better, right? Okay, maybe not if you’re Spike. Continue reading MasterChugs Theater: ‘Oldboy (2013)’