The Guys support a lot of scientific ideas, but the existence of alternate universes based on the chaotic actions of the universe has not been one of them. However, the evidence in Hong Kong is stark and, frankly, conclusive: an alternative universe exists where Kenny G is still relevant, and it has intersected with our own.
If you haven’t noticed the change and believe that adult contemporary alto sax player Kenny G always was and remains relevant, let us tell you about our universe before students in Hong Kong protested in favor of freely nominating and electing their own leaders.
In our universe, Kenneth Bruce Gorelick — or, to his friends and people who survived the Cosby Cancellation Riots of the late 1990s, Kenny G — released two inexplicably, yet massively successful albums: Duotones in 1986 and Breathless (get it!?) in 1992. He was the Norah Jones of what musicologists would later term the Hootie Era, and then he gracefully disappeared.
But, in the intersecting alternative universe, Kenny G became a popular performer in China and recorded a song, “Going Home,” that is now the universally recognized audio cue for Chinese people to not necessarily go home, but stop staying in the venue playing it.
And, to make matters worse, neither side is entirely sure what his inter-dimensional presence at the protest means, but figuring it out is vitally important to both of them. Either he’s letting the protesters know that it’s time to clear the public square and go home, or he’s yet another Westerner trying to undo Chinese communism and, quite possibly, the fabric of space-time itself.
Whatever the case, we wish him all the success in the world. (Would you really miss this universe?)